Love is Dead is Kerli's first album and was released on July 8th, 2008 by Island Records. Produced mostly by David Maurice, Love Is Dead is an alternative rock record which incorporates a variety of genres, including electronic music|electronic, goth rock, trip hop, pop rock and industrial music. Its sound has been noted to contain influences from the music of artists such as Natasha Bedingfield and Björk, while it has been described as both uplifting and dark. Kerli wrote the album in over five years.
Originally due to be released in April 2008, the album was pushed back to July 29th and then pushed up to July 8th. It eventually gained a wider European release in 2009 with a release in Italy in February, in Germany in April, and in Austria and Ireland in summer 2009.
The album received critical acclaim, with reviewers lauding its uniqueness and composition, while praising Kerli's vocals. The album peaked at number 2 on the U.S. Heatseekers Albums chart, which measures the popularity of albums by new artists. It also reached number 126 on the Billboard 200 in the United States.
Background and writingEdit
Kerli began writing for her debut album at the age of 14 but after two failed recording contracts with Universal Republic Records and Stolen Transmission, she spent two years in Sweden writing music with other writers at the request of a Swedish publisher who took an interest in her music. She later caught the attention of Island Records and landed an audition with L.A. Reid who signed her. During the audition, which was Kerli's first visit to the United States, she later remarked she was "so out of it" which came off as rude, saying "I guess he liked that I wasn't kissing his ass".
In a 2008 interview, Kerli said she was grateful she was not in a position to release an album after gaining her first contract because, saying "I wasn't ready as a person. I didn't stand behind my vision the way I do now, and everything was much more about my ego and need for attention. It's about people now. It's about delivering something magical." She described the process of creating the album as a "10-year struggle".
Kerli cites her upbringing in an abusive household as one of the main influences on Love Is Dead, saying "This is the place that I created for myself to escape to, and I want to share it with people now".
A lot of the songs I wrote when I was really depressed, and then the later songs I wrote after coming out from my depression, so the theme of the album pretty much is overcoming obstacles and overcoming the darkness. I’m really grateful for all these experiences because I believe that until you are absorbed by darkness you can't overcome it and face the light.
The lyrics of the songs on Love Is Dead focus around Kerli's depression at the time as well as her life in Estonia. She noted a feeling of oppression and hostility still present in Estonia after the Soviet occupation ended, saying "I felt like everybody was always trying to break my spirit. I felt very lonely because I was always very passionate and very over the top. I was not scared to be different. I had to create my own world. I had to work hard and dream hard to get out of that environment." While citing Walking on Air and Love Is Dead as her favorite tracks from the album, she cites Butterfly Cry as the most meaningful song for her as it was the first song she wrote after coming out of her depression. It was written when she was 17 with Krister Linder, who she says was her "spiritual mentor".
Walking on Air and Creepshow discuss Kerli's childhood. Kerli has noted autobiographical connections to specific lyrics from Walking on Air such as "She has a little creepy cat" and "little rocking chair and an old blue hat" by recalling a feral cat she rescued as well as frequently wearing old hats as a child. "Creepshow" concerns Estonia specifically where Kerli says "being different is not really accepted" and that "it felt like even more of a creepshow than this little town environment that I wanted to get out of."
Release and promotion Edit
Originally due to be released in April 2008, the album was pushed back to July 29 and then pushed up to July 8. It eventually gained a wider European release in 2009 with a release in Italy in February, in Germany in April, and in Austria and Ireland in summer 2009. Bulletproof was part of Punisher: War Zone Original Motion Picture Soundtrack too.
- Walking on Air was released on April 8th, 2008 as the lead single and was a moderate success.
- Love Is Dead and Creepshow were released as promotional singles throughout 2008.
- The Creationist was released as the album's second and final commercial single exclusively in Italy in December 2009. This version also had new vocals from singer Cesare Cremonini.
Critical reception Edit
Love Is Dead received positive reviews from music critics. Rick Florino of Artistdirect raved that the album is "more than just 'alternative music;' it's alternative art. Kerli's vision extends far beyond the notes recorded on her CD, and that's instantly apparent from her twisted fairytale aesthetic." Heather Phares of Allmusic concluded that "despite its faults, it is one of the most unique albums released by a major label in 2008." About.com's Ben Norman agreed, stating that it is "one of the best and most unique major label offerings of 2008, and hardly something to miss. With Kerli's emergence into the dance scene, I predict that this is the album to watch." Slant Magazine reviewer Sal Cinquemani complimented the album's first three tracks, Love Is Dead, Walking on Air, and "The Creationist", commenting that "they display enough diversity and musical savvy, if not actual talent, to warrant an endorsement", but criticized songs like "Creepshow" ("over-the-top") and "Butterfly Cry" ("plodding"). He also added that "[t]he formulas employed throughout Love Is Dead are often trite but the undeniable excitement and awe with which she approaches them is just as frequently refreshing."
Christy Grosz from the Los Angeles Times wrote that "[a]lthough her songs occasionally feature the alto piano of Apple or the otherworldly trilling of Morissette or Björk, her voice can sound thin and inconsistent, giving the whole thing a somewhat derivative feel" and that "a little more creepiness would give Kerli the edge that her appearance advertises." In his review for Blender, Andrew Harrison noted that Love Is Dead's gothic gray walls of riff and throbbing drum machines are convincing enough, and Kerli has clearly lived a tough old life so far. Unfortunately, it translates into kohl-eyed pantomime, rather than cathartic music, with lyrics so hopelessly trite they sound like a feel-good tract for preschoolers." Vail Daily's Charlie Owen felt that the album "reveals Kerli's talent but sounds more like she's trying to find a direction than blazing a trail."
The album debuted at number 126 on the Billboard 200 in the United States, selling 5,500 copies in its first week. It also entered at number three on the Top Heatseekers chart (peaking at number two two weeks later) and peaked at number 141 on the Top Digital Albums chart. With this, Kerli is the first Estonian artist to chart on the Billboard 200, where the album spent four weeks before dropping off. Despite having four single releases, the only song that made any impact on the charts was "Walking on Air". Sales of the album were considered a disappointment in the U.S.; however, Kerli has already moved on to record her second album (due to be released in 2012) with support of her record label.
|1.||Love Is Dead||Kerli Kõiv, David Maurice, Miles Gregory||Maurice||4:36|
|2.||Walking on Air||Kõiv, Lester Mendez||Mendez||4:27|
|3.||The Creationist||Kõiv, Guy Chambers||Chambers||3:38|
|4.||I Want Nothing||Kõiv, Maurice||Maurice||3:58|
|5.||Up Up Up||Kõiv, Maurice||Maurice||3:26|
|6.||Bulletproof||Kõiv, Thomas Who||Maurice||5:01|
|7.||Beautiful Day||Kõiv, Benji Madden, Joel Madden, Jason Epperson||Madden, Madden, Epperson||3:51|
|8.||Creepshow||Kõiv, Maurice, Vanessa Bley||Maurice||3:12|
|9.||Hurt Me||Kerli Kõiv, Lester Mendez||Lester Mendez||3:37|
|10.||Butterfly Cry||Kõiv, Krister Linder||Mathias Wollo||4:39|
|11||Strange Boy||Kõiv, Maurice||Maurice||3:18|
|12.||Fragile||Kõiv, Peter Agren, Anders Lennartsson||Maurice||4:11|
Credits and personnelEdit
- Production credits
- Guy Chambers – producer
- John Deley – string arranger
- T.J. Doherty – engineer
- Jason Epperson – producer
- John Ewing, Jr. – engineer
- Ill Factor – drum programmer
- Richard Flack – additional programmer, mixer
- Matty Green – assistant mixer
- Mike Green – engineer, mixer, assistant mixer
- Keith Gretlein – assistant engineer
- Benji Madden – producer
- Joel Madden – producer
- Lasse Mårtén – engineering, recording
- Mathias Mårtén – engineering, recording
- Tony Maserati – mixer
- David Maurice – drum programmer, engineer, mixer, producer
- Lester Mendez – producer, arranger
- Christian Olsson – programmer
- Neal Pogue – mixer
- Mark Roule – protools engineer, assistant mixer
- Paul Stanborough – acoustic guitar, programmer, recorder
- Oliver Strauss – string engineer
- Charles Wilson, Jr. – assistant mix engineer
- Mathias Wollo – arranger, producer, recorder
- Joe Wohlmuth – engineer
- Music credits
- Peter Ågren – composer
- Mio Alt – violins
- Gregg E. August – double bass
- Vanessa Bley – backing vocals, composer
- Karl Brazil – drums, percussion
- Inbal Brener – cello
- Guy Chambers – ace tone rhythm ace, acoustic guitar, backing vocals, bass guitar, composer, fuzz guitar, synths, upright piano
- John Deley – keyboards
- Fil Eisler – guitars, bass guitar
- Per Eklund – drums, percussion
- Tony Falanga – double bass
- Fleshquartet – strings
- Richard Fortus – guitar
- Josh Freese – drums
- Tanesha Gary – backing vocals
- Josh Garza – drums
- Mike Green – bass
- Miles Gregory – composer (Love Don't Live Here Anymore sample)
- Mattias Hellden – cello
- Örjan Högberg – viola
- Jennifer Karr – backing vocals
- Kerli Kõiv – vocals, composer
- Yoon Kwon – violins
- Anders Lennartsson – composer
- Andreas Lavander – bass, organ
- Krister Linder – composer
- Jonas Lindgren – violin
- Benji Madden – composer, guitars
- Joel Madden – composer
- Audrey Martells – backing vocals
- David Maurice – bass guitar, composer, guitars, keyboards
- Lester Mendez – composer
- Emily Ondrovek – violins
- Joel W. Noyes – cello
- Sebastian Oberg – cello
- Inbal Segev – cello
- Sonus Quartet – strings
- Philip Spetzer – violins
- Jonathan Vinocour – viola
- Skoota Warner – drums
- Thomas Who – composer
- Mathias Wollo – guitars, kalimba, organ
- Alison Zlotow – violins
My guardian angels for never letting me down and making me learn the hard way when necessary, mom for being the best mother, Liisu for being my best friend and my hardest critic, Pätu for all the support, Mia, Taavi, Hannp, Kai, Petra, Kalle, Sasha for being in my life and always believing in me, I am blessed to know you, Sweets - you are my soulmate, thank you for making me stronger, my grandparents and relatives - thank you for the love and care you have surrounded me with, Vanaisa, Tiina and Ursel - thank you for sharing your love for the music with me, Josh Sarubin - the a&r guy on this planet, thank you for being the beautiful soul that u are and giving me time to grow, Jon and Nicole - thank you for all the help, support and understanding. La reid - thank you for giving me the chance the live my dream.
All the songwriters - Krister Linder, David Maurice, Guy Chambers, Thomas Who, Deadmono, Mathias Wollo and Lola-x, Korpi, Patrik Berggren, Spider, Peter Agren, Anders Lennartsson, Lester Mendez and Joe, Benji and Joel, Madden, special thanks yo all the swedish writers who agreed to write with me before I even knew how to.
Everyone else who shared this journey - T.j. Dorethy, Matty Green (thanks for being so positive), Oliver Strauss, Skoota (thank u for sharing your story), Katie! (closer to god) Anthony Falanga, Gregg E. August, Joel W. Noyes, Inbal Segev, Emily J. Ondrovek, Alison Zlotow, Mio H. Alt, Yoon K., Kwon, Joe (J-wo) Wohlmuth and John Ewing, Keith Gretlein, Neal Pogue, Charles Wilson Jr. (u are dear, chuckles), Sonus Quaret, Josh Freese, Samantha Maloney, Doug Petty, Richard Fortus, Josh Garza, Ill Factor, Armen Ksajikian (I still have that picture of u in my wallet). Jennifer Karr, Tony Maserati, Mark Roule, Inbal Brener, Jonathan Vincour, Yoon K. Kwon, Philip Spetzer, Katie Kirkpatrick, Mark Robertson, Shalini Vijayan, Eric Hoslet, Sam Fischer, Nine Evtuhov, Sam Formicola, Matt Funes, Shanti Randall, Sam FormicolaTemplate:Ref, Michael Valerio, Jimmy Hoyson.
My IDJ family - Steve Bartels, Joe Borrino, Steve Gawley, Randy McMillan, Karen Kwak, Laura Swanson, Karen Wiessen (thank you for that beautiful thing u once said), Paul Resta (thank you for always being honest), Caron Veazy, David Massey (thank you for the light u bring when u step into a room), JP Robinson (thank you for being so genuine and beautiful), Matt Oberg (u know I absolutely love u, that's why I'm calling all the time), Todd Russell (thank u for putting so much love into your art), Randi Razzano (thank you for the kind smile), Marisa Lauro (thank you for calling me cute names), Alex Shenitsky (u r the best), Eric Speck, David Gray, Evan Lipschutz, Scott Marcus (thank you for always having candy), Adesina Dowers (sparks!), Grace Miguel, Muldred DeLamota, Jim Roppo, Russell Fink, Sam Dailey, Doug Oswandel (thank you for being so creative and open), Allison Schlueter, Brian Goetz, A.j. Benson, Ty Shelton, Craig Hackey, Seth Faber (thank you for everything...and the shoes), Karen Yee (thank you for being real), Mark Fischer, Erik Olesen, Trina Shoemaker, Laura Striese, Jennifer Mulvihill, Jonathan Benedict, Tanya Vialva-Duke (thank u for being kind and beautiful), Helen Demoz, Rachel Grss (thank you for being the sweetest), Sandie Smith, Dani Buncher (I will always love u), Mike Symonds (and you), Benjie Gordon (thank you for being the warm, wise and kind person you are), Mio Vukovic, Chad Greer, Adam Lowenberg (thank u for your advice and support), Peter Lewit (thank you for being the only lawyer in the world whose office smells like sage), Michael Simone (thank u for being such a good human being), Sarah Lewitinn, Adam Van Straten, Jonathan McHugh and Christian Wahlberg and Murlyn Music.